The reading has begun…

I have to read 235 short stories this month…

The next phase of homework for the anthology writing workshop is to read, or at least attempt to read, all of the stories submitted by the other students. Not everyone wrote stories for all assignments, but there are really 235 stories total. I’ve read 40 so far, and am glad I’m a fast reader!

Totally random photo of the snow we got this past week.
Totally random photo of the snow we got this past week.

In the workshop we’ll spend every day listening to the seven anthology editors discuss why they would/wouldn’t want to purchase each story for one of the anthology issues. So while we aren’t required to read the stories, knowing at least a little about each one will give context to the discussion. The editors are purchasing stories for issues of Fiction River; each day they’ll focus on stories for one issue.

I’m really excited about this class for several reasons. First, I just wrote six new stories. Hooray! I learned a few things from that experience that will help my writing in general. Now that I’m reading a lot of stories – and this is a lot! – I’m paying attention to stories where the author did a really good job with something, and in particular I’m trying to think about why what they did worked so well. Then when I finally get to class I’ll learn from listening to the editors’ discussion. Obviously there’s an element of personal preference here, and they may all pass on a story I loved because it doesn’t work for them, or vice versa. But I’ve found in the past that I’ve learned a lot about writing by hearing what does and doesn’t work for people, so I expect this will be the same.

As we read through the stories we’re all creating our own ‘buy’ lists so that we can attempt to look at this in the way that an editor would. This has actually been pretty interesting. We’ve been given a word count limit for each anthology, which means that we can’t buy every story, no matter how great they are. Another thing to keep in mind is that you generally don’t want to pack an anthology full of the same kind of stories because the reader will get bored. That’s given me a few things to think about because I’ve read a few stories that were fantastic, but were also similar enough that if you read one you might not be as interested in the next, even though it’s just as good. So you could either only purchase one of them, or buy them all and spread them out far enough in the anthology so that the reader would be unlikely to read them sequentially.

On top of all the reading, I’m now back to working on the now-named novel, Entangled by Midsummer. It feels a lot easier after having to write a bunch of brand new stories! My goal for the month is to make as much progress on it as possible. I really don’t know how much more time it will take, partly because I don’t have a good feel for how much time I’ll actually have until after this class. But I’m very, very happy to be working on it again.

Once the novel is done I’ll get back to work on the next book: a novelette or novella named Bewitchery. This was, of course, supposed to be a short story, but the first full draft is over 9,000 words (short stories usually stop around 7,500 words), and I tend to write sparse first drafts. My guess is this will end up being around 20k words long. We’ll see in a few months when I get back to it!

I just realized something awesome – the six stories I wrote for the anthology workshop stayed short stories! 🙂 I did come up with an idea for another novel or novella, but this is the first time I’ve ever written six stories in a row without one of them turning into a novel. Yay!

2016-02-06 Dakota Ridge

It’s time for recess!

I submitted the sixth and last short story for the anthology workshop last night. Hooray!!! Now the writing is done, so it feels like a break…but there’s plenty of work left to do. By the time class starts in a few weeks I need to read, or at least attempt to read, all of the other short stories submitted by my fellow students. There will be somewhere around 300 stories total. I rarely have enough time to make it through my monthly book club book, so this is definitely going to be a challenge! But in the meantime I’m giving myself a night or two off from school so I can make progress on my novel.

Part of what’s interesting about this writing workshop is that you do all the writing up front, with zero feedback. You don’t get any information about how well your stories worked until you’ve written them all. I expect to learn a lot when I go to the workshop, but here’s what I’ve learned so far.

1) Writing a brand new story every week with new characters, a new setting, and where research is required, takes a lot of time and energy.

That doesn’t mean it isn’t fun! But doing this for multiple weeks in a row is a little draining. I probably over-complicated things for myself because all six of my stories required a fair bit of research. This ranged from something simple, like: how could someone actually build a secret room in their house and not have other people notice it? To something complex, like: which stagecoach routes in the early 1870s were likely to be attacked by Indians, what types of Indians would they be, what tribes were likely to take white people captive (and, most importantly, not kill them), which regiments of the U.S. Cavalry would be in the area, and what nearby mining town might have a saloon. Whew!

Don’t get me wrong. I love researching stories and coming up with new characters and worlds and plots. But having to google something new every page or two – after doing a significant amount of up-front research – gets old after a few weeks.

2) I had already learned this, but these past few stories reinforced the point: I need to take better notes when doing research.

Once again I found myself googling a few things that I’d looked up in the past. In this case, these were details I looked up years ago, before my recent epiphany. So I can’t be too upset about my lack of organization since back then I hadn’t run into this. But it did serve as a reminder that having a quick reference for details I might use in more than one story is a very, very good thing.

3) I need to be more careful with adding setting, character, and sensory details.

I am quite aware of this when I write, and I do work hard on it. I can get even better, though. For example, I woke up at 2am or so last night and thought: Ack! I forgot to describe what kind of clothing the protagonist was wearing!

This may not seem like a big deal, and it’s likely most other people wouldn’t notice this information is lacking. But I know, and I believe the story would be a tiny bit richer if I’d put in a few more details.

I’ve thought about putting together a simple checklist to help remind me to cover clothing, setting, etc. I may give that a try for the novel. I know I have most of these details written, but I bet there are a few I’ve missed that I’d like to add.

4) I tend to add more setting, character, and sensory details in as I make my final passes through the manuscript, and I need to factor that in if I’m writing to a deadline.

This one is, of course, related to #3. Because I tend to write sparse drafts and fill in the details later, I’m pretty good about catching things like making sure to describe what a character is wearing. While writing the stories for this class, however, I kept forgetting to factor in time for this phase.

5) I like to write happy endings, or else humorous unhappy endings.

I already knew this, but one story in particular reinforced this. My interpretation of what the editor was looking for meant that my story should have had an unhappy ending. I just couldn’t write it that way, so I decided to write something that fit my style better. I like what I wrote, but because I agonized so much over this I had to rush at the end, and I feel that I could do a better job. Which is perfectly fine – if the editor doesn’t buy my story I’ll tidy up the parts I’m unhappy with. The important thing is that it was a reminder that I should be true to myself. (Which I was, just in a hurried way.)

6) Pushing myself out of my comfort zone is fun.

Doing these assignments for weeks in a row was a bit enervating, but I enjoy doing this type of thing on occasion. Over the years in writing classes I’ve written stories I never would have come up with on my own.

I probably learned other things as well, but these are the major points.

And now I’m back to the novel for a night or two, then I will be reading like a banshee. 🙂

2016-01-28 Dakota Ridge

And the winner is…

It took years – literally! But I finally have the title for my selkie novel!

I will, of course, continue to wonder if this is the right title. But I’ve been fretting about this since I started working on this story, so why stop now? 🙂

The working title was originally The Selkie and the Sidhe, but it quickly became clear that I’d have to come up with something else. I found an awful lot of people aren’t clear what a selkie is, much less a Sidhe. And as I worked on the manuscript, I realized that title wasn’t a good fit anyway. But it was incredibly difficult to come up with something that fit – and that I liked. I now have a list of titles I liked that didn’t fit, so I’m saving them for future stories. And finally – just two days ago – I came up with the final title:

Entangled by Midsummer

I sent that to my cover artist, Kathleen Lynch of Black Kat Design, this morning, so there’s no going back now!

Okay, so I could change my mind … but I’m not going to. This was a horribly grueling process. I would rather spend my energy writing the next book!

Since I vastly underestimated the amount of work I had to do on this novel, I not only have a fair bit of editing left, I also managed to have my editing time overlap with classwork I’m doing for a writing workshop I’m going to in about a month. I have two more short stories to write for this class, and then I’ll be able to concentrate all of my writing time on the novel. In the meantime, I’m squeezing in tiny chunks of time, but coming up with an entirely new short story every week takes a lot of time and energy.

I’m an optimist, so I’ve decided to look at this as a good lesson. I had never really paid attention to how much time writing takes, but now that I’m working hard at being as efficient and as productive as possible, it’s become brutally obvious that things take way longer than I thought. For example, my guess is that I’m spending 8-16 hours on each of these short stories, including planning/research time. I’ve also realized that just having a complete draft of a novel doesn’t mean I can whip out the final edits in a month. Seriously – what was I thinking?!?!? I’m very meticulous and detailed, and I go over my manuscripts multiple times because that’s how I write – but going over and over a novel-length manuscript takes a lot of time even when you’re not rearranging scenes or anything major. So … now I know better!

On a totally different topic, I’m celebrating Jasper’s anniversary! Three years ago I drove 8 hours each way to adopt him. He’s a fantastic little guy – and, coincidentally, the inspiration for the dog in Entangled by Midsummer. 🙂 We celebrated two years with Rosie last month – and yes, I drove 8 hours each way to get her too!

Happy Anniversary to Jasper!
Happy Anniversary to Jasper!